Bertha works to support storytellers and artists who challenge the dynamics of power and injustice.
We provide bespoke funding opportunities for individuals and organizations who use storytelling to build pathways to action against injustice. We also fund organizations that provide training and resources for people to tell their own stories, and we support accountability journalism and independent news.
We host a global funding program for activist artists to use the arts as a call to action that empowers and mobilizes audiences to become changemakers in their communities.
We partner with organizations globally who provide training, tools and support for marginalized groups to tell and own their stories. We fund filmmakers both directly and in partnership with global media organizations.
We support investigative journalists and independent news organizations that expose and critically analyze the dynamics of power.
BERTHA ARTIVISM AWARDS
The Bertha Artivism Awards is a global funding opportunity for activist artists, arts collectives and organizations around the world to use the arts as a Call to Action – to nonviolently instigate measurable change in a community. Going beyond ‘raising awareness’ Bertha Artivists will empower and mobilize communities in collaboration with social justice organizations, campaigns or movements to achieve specific and measurable change.
BÉZNĂ Theatre is an award-winning British-Romanian theater collective devoted to confronting institutionalized and normalized violences whilst encouraging grassroots activism through visually bold and form-challenging theater. Previous work includes VINOVAT-A (first piece in Romania to challenge consumerist capitalism in relation to the climate crisis), The People’s Tribunal on Crimes of Aggression in Afghanistan (a three day durational People’s Tribunal which blended testimony, performance and international law) and Wipe these Tears (challenging the arms trade and its influence from schools to war zones). In recognition of their fieldwork practice, in January 2020 BÉZNA became Visiting Fellows at the International State Crime Initiative, Queen Mary University, London (the first artistic organization to do so).
QUA (strength in Arabic) is a new theater project addressing the political and social issues of Muslim women’s representation on stage, led by Sama Rantisi. This project is a template for other organizations to invest in Muslim women’s talent whilst challenging audience’s attitudes. Through a series of workshops culminating in a sharing and a Q&A BÉZNĂ will work in Lewisham to show nuance of experience, whilst providing a platform for a collective of women to continue making new work.
Breeze Yoko is a South African based multidisciplinary artist and curator specializing in video/film and graffiti/street art. Yoko has participated in the Berlinale Talent Campus, and in urban art projects in South Africa, Botswana, Mozambique, Senegal, Germany, France, Sweden and many more places, where his whimsical yet powerful murals unfurl a kind of humanity and beauty that re-imagine their environments. In a search for new methods to ‘read the city’, Yoko uses a visual vocabulary that addresses a myriad of social and political issues. His films have won awards at the Tricontinental Film Festival, South Africa; Special mention in the Sienna Film Festival, Italy; and Dak’Art, Senegal.
For his Bertha Artivism Award project Breeze Yoko is producing a public art workshop program designed to empower social justice warriors with skills and experience of producing a mural and posterzine that can reach and affect change in their communities. Participants will come from organizations who are rooted in various communities and QR codes will link all the mural produced via an online website designed to enable the public to find and access resources that can equip and empower them with information.
Orczy Neighborhood Project is a neighborhood project using creative tools to build community, fight gentrification and research the local history of a stigmatized area in Budapest, Hungary. The project expands the work of the Community From Neighborhood Program, run by Kazán Community Center, a political and social space owned and used by more than ten different organizations in the same location. The Orczy Neighborhood Project was initiated by Csilla Hajdu, a community developer in the Community From Neighborhood Program, and Dorottya Poór, a visual artist and art educator. They work with a group of community developers, social workers, sociologists, cultural workers and artists. Dorottya holds an MA in painting. She mostly works on relational and participatory art projects, at the intersection of visual- and performing arts and education. She organizes experimental drawing classes for adults with no former training in arts. In the project, she uses her narrative drawing and visual storytelling practices as a tool for empowerment, self-representation and community building.
The Discovery of Europe is a decolonial artistic and political action organized by Karina Vidal and Alexander Ríos. The project began in October 2019, and is an ongoing collaboration with black, Indigenous and other people of color. Starting from their experiences in the Kingdom of Spain as migrants from Abya Yala, they use video, illustration, graphic design, performance and journalism (in interviews and articles) to explore different ways of communicating how the colonial order is still very much in force today: they denounce the racist, capitalist, extractivist and patriarchal violence that continues to be exercised by Europe and the global North against the peoples and territories of the South. The Discovery of Europe is also a space to support and disseminate anti-racist and anti-colonial actions and projects, especially in Abya Yala and Europe.
In their latest project, to be carried out with the support of Bertha Foundation, they will generate a four-month process of meeting, learning and online collective creation, with 12 other artivist groups from different territories of Abya Yala. Together, they will look into the question: How can we decolonize ourselves today? It will be a coming-together for sharing and imagining decolonization strategies within the current socio-political landscape. This collective work will be documented and shared in the form of a digital publication.
GLOW: The Life and Trials of Simon Nkoli, is a multimedia artivism project which tells the remarkable story of Simon Nkoli, a gay anti-apartheid South African freedom fighter and HIV activist who was imprisoned for four years on charges of treason (1985-1988) during apartheid. He went on to organize the first gay pride march in Africa, and ensure gay rights were enshrined in South Africa’s democratic Constitution. The campaign draws on elements of the vogue-opera about Simon’s life. Voguing, music, rap, lip-syncing and archival film and sound, are all used to celebrate Simon’s life and the fight for justice in South Africa. The GLOW social media campaign will create a vibrant GLOW queer community, enhancing awareness and dialogue and providing links to help and support in South Africa and abroad.
GLOW is spearheaded by South African composer and sound artist Philip Miller, together with Welcome Lishivha and Harriet Perlman. Philip Miller’s cutting edge work, popularizes untold histories, through music sound and archive. Welcome Mandla Lishivha is the author of the acclaimed memoir, Boy On The Run, and is a multimedia journalist and LGBTIQ activist. Harriet Perlman, is a producer and writer who has developed many social justice campaigns using film, television and print.
Jason deCaires Taylor creates underwater worlds. Haunting enigmatic living art installations submerged beneath the waves. He has become one of the first artists to re-conceptualize the underwater realm as a public art space and, due to his explorations, has been described as the Jacques Cousteau of the art world.
Taylor gained international recognition in 2006 with the installation of the world’s first underwater sculpture park, situated in the West Indies off the coast of Grenada. It was subsequently listed by National Geographic as one of the Top 25 Wonders of the World. Since then, working with local communities Taylor has gone on to create a network of “Underwater Museums” throughout the world. These publicly accessible artworks are visited by thousands of visitors each week and explore modern themes such as the climate emergency, migration and sustainable futures.
Using bio-receptive, environmentally sensitive materials that instigate organic growth, the sculptural works evolve, developing new hybrid forms by interacting with marine ecologies. In this way, they regenerate natural habitats and remind us not only of our inherent fragility but also of our connection and intrinsic dependence on nature.
Taylor’s studio practice is currently based in the United Kingdom and his new works with the support of Bertha Foundation will focus on coastal communities, marine water quality and corporate responsibility.
Li Sumpter is a multidisciplinary artist and independent scholar who applies strategies of worldbuilding and mythic design toward building better, more resilient communities of the future. Li’s creative research and collaborative design initiatives engage the art of survival and sustainability through diverse ecologies and immersive stories of change. Li is a cultural producer and eco-arts activist working through MythMedia Studios and the Escape Artist Initiative. She is also actively engaged in interdisciplinary projects with Monument Lab, Painted Bride Art Center and the Education Ecologies Collective. Li holds an MA in Art and Humanities Education from NYU and a MA/Ph.D. in Mythological Studies and Depth Psychology from Pacifica Graduate Institute and has been a visiting professor at Haverford College, Moore College of Art and Design and recently returned to Pacifica to teach at her alma mater. Li is a recipient of the 2018 Sundance Institute and Knight Alumni grant, a 3-time recipient of the Leeway Art and Change Grant, a 2020 recipient of the Leeway Transformation Award, a 2022 recipient of the Velocity Fund, a 2022 Afrofuturist-in-Residence with the Village of Arts and Humanities and a 2022 Leeway Media Artist x Activist-in-Residence with the Theatre in the X.
For her Bertha Artivism Awards, Li is going to write, direct and produce the original story and gaming elements of Illadelph Dreams: 2045 – an original multimedia immersive theater production of apocalyptic speculative fiction reimagined through an afrofuturistic, BIPOC perspective. The interactive experience illuminates the apocalyptic reality of Philly residents of Black and Indigenous descent and all humans of Planet Earth by presenting real-life current issues and speculative fears about our immediate and possible long-term future. Set in future Philadelphia circa 2045, Illadelph Dreams: 2045 explores oppression and liberation, solidarity and survival and the nature of technology and the human soul through interactive plot dilemmas, existential inquiry and creative problem-solving that engages audiences and their communities in an evolutionary adventure that could determine the fate of humanity.
RETRATOS DE MEMORIA is a project formed by Jesús Cossio, a cartoonist and author of comics on political violence in Peru; Alejandro Olazo, a photographer with an interest in human rights issues; and Illari Orccottoma, a creative producer who accompanies independent projects on issues of Latin American reality. Their work is intended to contribute to the effort in the fight against denialism and impunity for crimes against humanity committed by the Peruvian State forces and the subversive groups Sendero Luminoso and MRTA during the Internal Armed Conflict in Peru (1980 – 2000). It is a project of representation of the personal and collective process of unfinished mourning and the memory of the relatives of the disappeared by the violence of the Armed Conflict through the joint use of testimony, drawing and photography. Using the photographic portraits and memories of the relatives, RETRATOS DE MEMORIA produces symbolic reconstructions of the faces of the absent: its intent is not to be “reliable” (like forensic reconstructions) but to provide symbolic presence. Those still missing become visually present with the essential collaboration of the relatives and the value of the persistence of their memory as a personal, but also social and political claim.
Shira Newmark is a progressive early childhood educator and mindfulness/heartfulness facilitator and presenter, with a passion for love in action and kindness preventative curriculum. A creative writer, dancer, yogi, percussionist, singer-songwriter and beatboxing-whistling free-styler, Shira loves to fuse the arts into her teaching practice where she has supported thousands of children in public and private schools, camps, homes, daycare and medical centers throughout New York and beyond. She began her teaching career as a “Special Education Itinerant Teacher” before becoming a founding teacher at Blue Man Group’s Blue School, named one of the most innovative schools in the world, where nurturing children’s creativity, sense of wonder and social emotional growth shaped the school’s vision amongst a pioneering community reimagining education. Shira currently resides in the Hudson Valley of New York, supporting children with diverse learning styles as a consultant at their schools. With the support of Bertha Foundation, Shira is writing a children’s book entitled “The Love Club,” illuminating the power of love and how it binds us all, coupled with launching in person and remote “After School Love Clubs,” to help empower children to experience for themselves the myriad benefits of spreading loving kindness.
Want to share this profile? Click here and copy the URL.
Ian Urbina is the director of The Outlaw Ocean Project, a non-profit journalism organization based in Washington D.C. that produces investigative stories about human rights, environment and labor concerns on the two thirds of the planet covered by water.
Before founding The Outlaw Ocean Project, Urbina spent roughly 17 years as a staff reporter for The New York Times. He has received various journalism awards, including a Pulitzer Prize, two George Polk Awards and an Emmy. Several of his investigations have also been converted into major motion pictures.
To reach a younger and more international audience, The Ocean Outlaw Project leverages non-news platforms, collaborating with artists to convert their reporting into other forms such as music, animation, mural art, stage performance and podcasts.
Eli Jacobs-Fantauzzi is an internationally-recognized and award-winning filmmaker. He is the founder of @fistuptv a media platform uplifting and telling stories from communities across the world who refused to be silenced. As a filmmaker, he uses a storytelling approach he created called Participatory Action Filmmaking. Similar to Just Storytelling, this is a regenerative style of storytelling that cultivates and amplifies stories instead of mining or extracting them. Eli is the founder of Cine Solar Rodante (CSR), a solar cinema project run entirely on solar power. He is the co-founder of @defendpr, a transmedia project designed to document and celebrate Puerto Rican creativity and resistance. He is currently touring his film @westillherepr an inspirational film about the youth of Puerto Rico fighting for a just recovery. He is also curating his 14th Annual #FistUpFilmFestival in the Bay Area California. His dedication to his craft is deeply connected to his commitment to social justice and the belief in the transformative power of film.
Mariangelie Ortiz advocates and works towards community development as a spearhead for the improvement of our environment. She completed a master’s degree in Business Administration with a specialization in Management and Strategic Leadership. The Clean Water: Life Line project, which explored self-sustainability in drinking water distribution processes as a viable alternative for her community, earned Mariangelie admission to the Puerto Rico Youth Fellowship 2019 sponsored by the Open Society Foundations. In 2021 she formally joined La Maraña as the organization’s Community Liaison Coordinator. She is a community leader whose work is featured in the award winning documentary film We Still Here / Nos Tenemos. She works with Cine Solar Rodante to bring films, discussions and workshops about sustainability, just recovery and healing to communities across the archipelago of Puerto Rico to inspire the next generation of leaders.
For their Bertha Artivism Award, Cine Solar Rodante will partner with community-based organizations across the islands of Puerto Rico to host curated community organizing events. This project will inform diverse communities across the archipelago about climate resilience, just recovery principles, creative expression and non-extractive storytelling. CSR have created a We Still Here post film workshop, toolbox and collaborative experience that inspires and activates communities to tell their own stories and navigate climate disasters with creativity and self-determination. The experiences are led and designed by some of the stars of the film We Still Here supporting their ability to tell their own stories and connect to the impact of their work and community partnerships being built.
Want to share this profile? Click here and copy the URL.
Explore Past Projects
2022 Bertha Artivists
TAP TO INTERACT
Angélica Dass
Angélica Dass is an award-winning Spanish-Brazilian artist who combines photography with sociological research and public participation in the defense of human rights worldwide.
Eliza Factor
Eliza Factor is a novelist and memoirist who uses storytelling, art and ecological exploration to question our conceptions of disability and bring people together.
Empatheatre
Umkhosi Wenala is a theater-making/storytelling project collaboration between Empatheatre and Mbazwana Arts Collective that worked to create an innovative democratic decision-making space for youth in northern KwaZulu-Natal, South Africa through the process of restorative public storytelling.
Festivales Solidarios
Festivales Solidarios are an Indigenous and mestizo collective who work with art and community communication for the defense of territory.
Good Chance Theatre
Good Chance Theatre co-created their fourth Change the Word writing and performance program in Bradford, United Kingdom.
Rasha Nahas
Singer-songwriter Rasha Nahas created collaborative music, community events, panel talks and a podcast.
Sonali Bhattacharyya
Award-winning playwright and screenwriter Sonali Bhattacharyya’s play Chasing Hares explored the impact of precarious work and late stage capitalism on two generations.
Angélica Dass
Location: Spain, Brazil
Angélica Dass is an award-winning Hispanic-Brazilian photographer whose practice combines photography with sociological research and public participation in the defense of human rights worldwide. She is the creator of the internationally acclaimed Humanæ Project, a collection of portraits-in-progress that reveal the diversity in the beauty of human color and stands as an extraordinary global anti-racist testimony.
Her work on identity and questioning stereotypes is also embodied in ‘Soy adolescente y qué más?’ (SAYKM) which in English translates to: ‘I am a teenager, so what else?’. ‘SAYKM’ is a multidisciplinary and collective project which addresses the theme of adolescence as a key moment in the search for one’s own identity but also as the most creative period of life. Through portraits, landscapes, still lifes, videos and texts, a choral narrative is created, where the collective is explored through an approach to individuals. Placing adolescents as the protagonists, the project serves as a loudspeaker to broaden their reflections and vindicate their existence with their own arguments, accepting their lights and shadows.
Want to share this profile? Click here and copy the URL.
Eliza Factor
Location: United States of America
In 2022, with Bertha Foundation’s support, Eliza Factor launched the weaving program at Lonely Worm Farm, a fledgling community center in the Hudson Valley of New York, designed to bring people with disabilities in closer contact with the land and each other. In response to the polarization and flag waving of our times, the first project focused on making Welcome Mats. Helping each other with pattern recognition, fine motor skills and patience, participants wove collective and individual welcome mats (and a welcome arch, too) out of found materials: scraps of cloth carrying stories of past use, garden fencing, branches, twine, reeds, mugwort stalks and more. The experience allowed the weavers to delve into their creativity and enjoy the beauty of its results. As the mats find their way into different homes and institutions, they hope that the spirit of joy, collaboration, attention and humor in which they were woven will travel with them and spread.
Want to share this profile? Click here and copy the URL.
Empatheatre
Location: South Africa
Empatheatre is an award-winning South African research-based theater company and methodology founded by artist/activists Mpume Mthombeni, Neil Coppen and Dylan McGarry. The company has been responsible for launching several ground-breaking social justice theater projects over the last decade including Soil & Ash (focusing on rural communities facing pressure from coal-mining companies), Ulwembu (street-level Drug addiction and harm reduction advocacy), The Last Country (female migration stories), Boxes (homelessness and urban land justice inequalities in the city of Cape Town) and Lalela ulwandle (an international project supporting sustainable transformative governance of our oceans).
Over the course of 2021/2022 Empatheatre and Mbazwana Creative Arts (MCA) in Zululand collaborated on a new musical theatrical production titled Umkhosi Wenala which ran at the Mbazwana arts Centre from the 5th – 9th September 2022. Umkhosi Wenala was a theater-making/storytelling project collaboration between Empatheatre and Mbazwana Arts Collective that worked to create an innovative democratic decision-making space for youth in northern KwaZulu-Natal, South Africa through the process of restorative public storytelling. Over a period of 18 months, the team of 14 participants from Mbazwana were encouraged to move through their communities and document stories of their elders and family members, working to surface the rich and diverse histories of the region. With the legacies of apartheid, many perspectives and histories have been excluded in decision making, and Umkhosi Wenala set out to re-map these lost histories and memories through the leadership of Mbazwana youth. Over 6 months, the group then met regularly to collectively devise a story and script while composing eight original songs from the research and stories they had gathered.
The 80 minute musical (told in isiZulu with some English) tells the story of two twins, a brother Nkosana and sister Makhosazana who inherit a kingdom after the disappearance of their mother, a queen, said to have drowned in the ocean. The two Nkosi’s, destined to rule together, are divided by circumstance and political forces beyond their control. After two decades of betrayal and conflict between their competing kingdoms, the situation further escalates with the arrival of a fence which cuts the communities off from their village and resources and resurfaces past tensions and new resentments. The production skilfully weaves together many relevant moments from the last century of Northern Zululand’s history and uses humor, pathos, puppetry, satire, ritual, traditional dance and music to tell its story.
Want to share this profile? Click here and copy the URL.
Festivales Solidarios
Location: Guatemala
Festivales Solidarios are a self-managed horizontal collectivity. They are integrated by artists, documentalists, designers, communicators, Indigenous and mestizo radio broadcasters who work with art and community communication for the defense of the territory, political prisoners and historical memory. Festivales Solidarios are originally from Guatemala, they work at the national level accompanying and walking with peoples and organizations that fight against colonial extractivism. They emerged in 2013 where they mounted their first campaign to make political prison visible, and began the dissemination of the theme of political prison with art, music and film festivals. Initially called “Libertarian Festival”, they were pioneers in working on these themes through art in the country.
Festivales Solidarios conducted an itinerant Caravan with exchange of playful methodologies in three resistances and communities that fight against extractivism, closing their intervention with a communal solidarity festival, which has been part of their strategy for more than eight years.
Want to share this profile? Click here and copy the URL.
Good Chance Theatre
Location: United Kingdom
Good Chance Theatre began in the Calais Jungle unofficial refugee and migrant camp in 2015 where they built their first Dome, a temporary Theatre of Hope. Good Chance was founded on the belief that expression is a human right, and the Dome was a place for that expression, for creativity and dignity for all. Since then they have built the Dome a further nine times to help people from all countries and backgrounds to come together through art. Alongside the Dome theaters, Good Chance create ground-breaking productions and support artists through their Ensemble program. Good Chance Theatre co-created their fourth Change the Word writing and performance program in Bradford, United Kingdom, brought together by awesome Bradford-local arts producer Ezra Nash and partners Common Wealth. Change the Word projects fuse the essence of telling stories around the campfire and breaking bread together, with high-profile, high-energy performances in unusual spaces. Each project brings together communities who may never otherwise meet. It is an inclusive, participatory space for sharing voices, for sharing food, for sharing ideas. Good Chance Theatre believes in the power of art to enter unlikely places, shake up expectations and create real connections.
Their latest Bradford project, funded by Bertha Foundation, took place over a period of 18 weeks with different Bradford communities who came together to read and write poetry that shared insights into their lives, both as newly arrived refugees and people long settled in the community.
A series of weekly writing workshops was followed by performance workshops where participants were able to develop and practice new skills, welcome the public into their space and share personal experiences through creative means. The project culminated in a live public performance in the heart of Bradford.
This Change the Word model differed from previous models in that they shifted the power over to a local team by employing a producer and creatives to run the workshops. It was both affective and effective and they hope to continue with this new model for future iterations of the project. They produced an anthology of new writing that each poet features in. The book can be read by local audiences and policy makers alike and is for sale on the Good Chance website.
Want to share this profile? Click here and copy the URL.
Rasha Nahas
Location: Israel, Germany
Berlin-based Palestinian singer-songwriter and instrumentalist Rasha Nahas was born and raised in Haifa. Rasha has long been crafting a sound that moves seamlessly between the resonances of early rock ‘n’ roll complemented by her distinctive approach to songwriting, storytelling and performance. While Rasha’s musical projects are always an exploration into new territories, one staple in her works is her dedication to the narrative. Her debut album, ‘Desert’ chronicled a personal and political journey from Palestine to Germany and back again. In her new album ‘Amrat’ (January 2023) Rasha addressed themes of home, belonging, spirituality, freedom and her relationship with her mother-tongue. Through the Bertha Artivist Awards she delved into a collaborative artistic approach with female musicians. Accompanied by impact producer Lorena Junghans, as well as local international partners, and in parallel to the art, they organized a series of community focused productions, networking events, panel talks and a podcast where the subjects of community, solidarity, art making and liberation were in the spotlight.
“In a world in which impact and meaning are measured by numbers and algorithms, I find it more important than ever to put the community back in the center, and use art and creation to build bridges, empower & organize, individually and collectively.” says Nahas.
Originally from Romania, Lorena Junghans is a content-oriented producer with a background in project management in Cape Town, Beirut and Berlin. Lorena’s projects focus on personal stories that aim to achieve sustainable social impact and change existing structures. When working with individuals and organizations, Lorena pursues the goal of intersectional solidarity.
Want to share this profile? Click here and copy the URL.
Sonali Bhattacharyya
Location: United Kingdom
Sonali Bhattacharyya is an award-winning playwright and screenwriter (Sonia Friedman Production Award, Theatre Uncut Political Playwriting Award) based in London, United Kingdom. Her credits include Two Billion Beats (Orange Tree Theatre), Assembly: The Teachers’ Play and 2066 (Almeida Participation), Silence (Tara Theatre and Donmar Warehouse), Megaball (National Theatre Learning), Slummers (Cardboard Citizens) and The Invisible Boy (Kiln Theatre). She is a graduate of the Royal Court Writers’ Group, Old Vic 12 and Donmar Warehouse’s Future Forms Programme. She is under commission to Fifth Word, the Bristol Old Vic and Chichester Festival Theatre, and is currently developing a drama series for television with Dancing Ledge Productions and an Augmented Reality project with Anagram.
Her play ‘Chasing Hares’ was a mainstage production at London’s Young Vic Theatre in July/August 2022. The play explored the impact of precarious work and late stage capitalism on two generations, through Jatra (Bengali folk theater), comedy, storytelling and song.
‘ “I’m not political. Not at all. Never have been. I’m a company man.”
2000s Kolkata. The Khub Bhalo factory is on lockdown and no one’s getting paid. Prab is caught between joining the picket line and the need to provide for his family. When the boss’ son ropes Prab into reinvigorating his failing folk theater troupe, Prab seizes the opportunity to expose the injustice of factory conditions and child exploitation. Is he ready to risk his future, his family and even his own life to fight for change?’
The Bertha Artivism Awards supported a two-week research and development period for Sonali and Milli Bhatia (the director). They worked with five actors and a creative team (lighting designer, set designer, composer, sound designer, movement director, lyricist and dramaturg) to find the form and aesthetic for the production, drawing on the Hindu mythology, communist politics and elements of Jatra in the script.
The Bertha Artivism Awards also supported a series of wraparound events for the full production, to actively connect with a South Asian audience, celebrate South Asian culture and foster collective discussion about the political themes of the play.
The events were:
Disrupting the Diaspora: Radical Asian Organizing in the UK – a post show discussion with food, featuring writer and activist Amrit Wilson and migrant solidarity and trade union organizer Amardeep Singh Dhillon, chaired by Sonali.
Daytimers: A Night Celebrating South Asian Artistry – opening and closing night parties DJed by Daytimers’ Collective, a creative collective inspired by the ‘daytimers’ parties self-organized by British Asian youth in the 80s & 90s.
Want to share this profile? Click here and copy the URL.
RESOURCES FOR STORYTELLERS
Funds for Filmmakers
Bertha provides funding for filmmakers through the Bertha Film Fund and the IDFA Bertha Fund.
Through the Bertha Film Fund we directly support filmmakers across the globe who are working on social justice films that challenge the dynamics of power and injustice, mobilizing audiences as changemakers. Alongside this, we partner with the International Documentary Film Festival Amsterdam on the IDFA Bertha Fund which supports independent, critical and artistic voices from Africa, Asia, Eastern Europe, Latin America, the Caribbean and Oceania.
TAP TO INTERACT
Bertha Film Fund
Funding for films that challenge the dynamics of power and injustice, mobilizing audiences as changemakers.
IDFA Bertha Fund
The IDFA Bertha Fund is the only fund in the world dedicated solely to stimulating and empowering the creative documentary sector in Africa, Asia, Eastern Europe, Latin America, the Caribbean and Oceania.
Bertha Film Fund
Location: Global
Funding for films that challenge the dynamics of power and injustice, mobilizing audiences as changemakers.
The Bertha Film Fund provides small grant funding for social justice filmmaking – including cinema, video, and digital media. Funding support can be awarded for short form and long form films at development, production and post-production stages, with nonfiction and fiction accepted.
The Bertha Film Fund is by Invitation only.
IDFA Bertha Fund
Location: Global
The IDFA Bertha Fund supports independent, critical and artistic voices from Africa, Asia, Eastern Europe, Latin America, the Caribbean and Oceania (IBF regions) with the aim of stimulating and empowering the creative documentary sector in these regions. The Fund provides development, production and distribution grants through two funding schemes, the IBF Classic or IBF Europe.
In addition to financing, the Fund offers filmmakers tailor-made consultancies and training programs to support them in their creative and production process and invites them to participate in the different industry events that IDFA has to offer – to help broaden their international network and knowledge of the documentary industry.
The Bertha / Doc Society Journalism Fund was an international film fund dedicated to supporting long form feature documentaries of a journalistic nature. Starting in 2017, the Journalism Fund sought to provide more consistent, deeper support for filmmakers, often funding from development through to outreach and providing security support and legal advice where needed.
Films completed through this fund are listed in the Bertha Media Directory.
The Guardian and Bertha Foundation commissioned a series of 12 short documentary films from independent film-makers. The series covers global stories, with a focus on films that have the ability to advance the contemporary issues that they address, and raise awareness of people and movements who are catalysts for change.
Film completed through this fund are listed in the Bertha Media Directory.
Bertha provides funding to global media organizations who produce innovative initiatives that empower marginalized communities to create, tell and own their own stories.
AXS Film Fund strives to support independent documentary filmmakers and nonfiction new media creators of color with disabilities in their endeavors to tell stories, make films and create content.
The AXS Film Fund Seeks to:
– Award creators, who identify themselves as a person of color having a disability(ies), in documentary filmmaking and nonfiction new media a one-time grant that will aid them in successfully completing their projects.
– Help more ethnic minorities with disabilities get recognition and job opportunities in the film industry.
– Help create more diversity amongst creators and the stories told.
The Kiln Theatre in Kilburn, North-West London, is a local theater and cinema venue with an international vision. Their mission is to bring unheard voices into the mainstream, telling human stories that resonate across cultures and show the world through new and different lenses.
The Bertha-Kiln Writers Program is an opportunity for Women writers of Color to create brand-new plays which use their unique voices to comment on our society and to create stories that will shape the future.
Brown Girls Doc Mafia’s (BGDM) mission is to bolster the creative and professional success of women and non-binary people of color working in the documentary industry, and to challenge the often marginalizing norms of the documentary field.
The BGDM Black Directors Grant aims to cultivate Black directors within BGDM and help propel their projects forward. This Grant aims to support projects that are steeped in the Black experience, and whose director’s craft, storytelling ability and unique point of view reflects and uplifts the Black experience or perspective. Projects include documentary films, podcasts, hybrid doc/fiction, video art and new media.
With the support of the Bertha Foundation, InsightShare launched the Living Cultures Indigenous Fellowship in 2020, a groundbreaking strategy that delivers remote training to Indigenous Peoples wishing to harness participatory media as a tool for engaging and mobilizing their communities.
In 2021 InsightShare has trained 38 young Indigenous leaders based in six communities across southern and eastern Africa, supporting them to use communication technologies safely for self-determination, self-representation and positive local action. Six video hubs have been established with some of these hubs are already functioning autonomously of InsightShare, producing their own films, extending training to community members and neighboring groups.
Just Vision fills a media gap on Israel-Palestine through independent storytelling and strategic audience engagement.
They believe that accurate, nuanced storytelling is essential for shaping public norms, challenging the divisions that dominate the political landscape and creating greater understanding. Just Vision’s work creates opportunities for constructive engagement by undermining stereotypes and telling the stories that are often missed but are crucial to shaping how audiences think about and engage on the most pressing issues of the day.
They are a team of filmmakers, journalists, storytellers and human rights advocates who envision a pluralistic, just and rights-respecting future in the region. They place documentary filmmaking and journalism, coupled with strategic audience engagement, at the center of our mission because we believe that stories have the power to shape public norms, equip audiences with vital information, undermine stereotypes and inspire.
Life Mosaic supports communities and movements to build their capacity to protect their rights, cultures and territories and to determine their own futures. They connect grassroots experiences across continents, sharing stories from the frontline of the social and environmental crises, and inspirational stories and strategies to build skills, hope and resilience.
Life Mosaic produces and shares tools for empowerment to support local movements, organizers and facilitators in their awareness-raising and advocacy work with communities.
Life Mosaic supports the emergence of the next generation of Indigenous leaders, with the calling, critical awareness, skills and love of their culture to defend and look after their territories.They help create the conditions for leaders and communities to take informed action, and in turn to become catalysts: supporting others to take action; accelerating positive change; growing movements.
As a human rights media organization, Skylight’s work has focused on amplifying the voice of constituencies battling for social justice and their rights since its founding in 1981. The content Skylight produces – from documentary films to a range of digital media projects – creates a media ecosystem that strengthens a culture of rights and engaged citizenship.
Skylight combines the storytelling arts with human rights media strategies, joining the battle for narrative in the service of social movements, creating networks of solidarity between artists, media makers and activists. A process that has made them a part of battles for the narrative in movements around the world.
WITNESS makes it possible for anyone, anywhere to use video and technology to protect and defend human rights. By providing training, support and tools to millions of people around the world, WITNESS is powering up a new generation of human rights defenders.
The majority of the world’s population now has a camera in their pocket. People everywhere are turning to video to document and tell stories of abuse. WITNESS identifies critical situations and teaches those affected by them the basics of video production, safe and ethical filming techniques and advocacy strategies.
Bertha supports media organizations who produce both traditional and nontraditional distribution initiatives, ranging from film festivals to cinemas to TV channels. These initiatives enable content to be seen across platforms around the world that can be used to affect change on a local and global level.
Bertha DocHouse is the UK’s first cinema dedicated solely to documentary. Based at Curzon Bloomsbury in Central London, they screen the best new releases, festival favorites, retrospective titles and curated seasons providing an exciting platform for documentary filmmakers and nurturing a new generation of doc lovers. With a program packed with filmmaker Q&As, masterclasses, discussions, special events and an online hub accessible from anywhere in the world, Bertha DocHouse is the UK’s home of documentary.
The Bertha Movie House is a community cinema based at the Isivivana Centre, a social justice and community center in Khayelitsha, Cape Town, South Africa. Khayelitsha, with now over two million residents, was established during Apartheid as a township “for Blacks only,” apart from Cape Town which was “for whites only.” Post-democracy it has grown and evolved, with local residents establishing homegrown creative hubs, food outlets and other opportunities.
Bertha Movie House provides a visual space for Khayelitsha’s growing narrative, with the cinema priding itself in uniting the community with local and international films focused on edutainment and social justice.
The Encounters South African International Documentary Festival
South Africa
The Encounters South African International Documentary Festival
Location: South Africa
The Encounters South African International Documentary Festival is the country’s formative documentary event, screening contemporary South African and International features and short documentaries. The goal of the festival is to:
– Create a vital platform for the documentary film industry in South Africa and the African continent through the delivery of a well-organized 10-day Festival in Johannesburg & Cape Town.
– Advance and promote documentary cinema as a creative art form; as well as to champion its role as an effective tool for stimulating democratic debate, tolerance and understanding.
– Develop audiences beyond suburban areas, through the Inreach programme
– Engage audiences through Q&A sessions and panel discussions on relevant and critical issues.
– Support the careers of filmmakers through the implementation of training and development opportunities such as the Close Encounters Laboratory, Producers Workshop, Encounters Rough Cut Lab, Master Classes, Inreach/Access Project and employment on the Festival.
– Broker financial opportunities for film professionals with broadcasters, film festivals, funders and commissioning editors.
FiSahara is an international film festival that offers entertainment and training to the Saharawi refugee people, and that makes visible a conflict that has been without resolution for four decades since Morocco invaded Western Sahara in 1975. This solidarity cultural project was born in 2003 from a shared dream among the Spanish filmmaker community and the Saharawi people: to take the cinema to one of the most remote places in the world, the refugee camps in the Hammada, “the desert of the deserts.” In 2011, FiSahara opened the Abidin Kaid Saleh film school, which trains young Saharawi filmmakers at Bojador camp.
The International Documentary Film Festival Amsterdam
Netherlands
The International Documentary Film Festival Amsterdam
Location: Netherlands
The International Documentary Film Festival Amsterdam (IDFA) offers an independent and inspiring meeting place for audiences and professionals to see a diverse and high-quality program. IDFA offers an alternative to mass entertainment and uniformity, confirming that there is an increasing need in audiences for high-quality films that delve deep and urge audiences to reflect. The IDFA Bertha Fund, specifically, supports filmmakers and documentary projects from Africa, Asia, Eastern Europe, Latin America, the Caribbean and Oceania (IBF regions).
The Juba Film Festival encourages and supports local South Sudanese filmmakers to tell Indigenous narratives that reflect the country’s culture. With no film school or commercial cinema in South Sudan, the festival provides practical training, experience and equipment for filmmakers to produce films about local communities and screen them in the country, aiming to increase awareness and advocate for human rights for the most marginalized communities. The event is also a rare chance to showcase positive stories from South Sudan.
Sheffield DocFest is the UK’s leading documentary festival and one of the world’s most influential markets for documentary projects. They champion and present the breadth of documentary form – film, television, immersive and art – in the vibrant city of Sheffield each June. Sheffield DocFest offers makers and audiences a place for inspiration, debate, development, learning and challenge. Their programming represents their core values – creativity, empathy, freedom, inclusivity and internationalism.
To amplify the impact and exposure of under-told stories, Bertha funds diverse journalism initiatives working to expose and critically analyze the dynamics of power.
Launched in 2010, amaBhungane (isiZulu for “the dung beetles”) Centre for Investigative Journalism is an independent, non-profit newsroom based in South Africa. They develop investigative journalism to promote free, capable media and open, accountable, just democracy.
Declassified UK uncovers the UK’s role in the world, investigating Britain’s military and intelligence agencies, its most powerful corporations and its impact on human rights and the environment.
Democracy Now! produces a daily, global, independent news hour hosted by award-winning journalists Amy Goodman and Juan González. Their reporting includes breaking daily news headlines and in-depth interviews with people on the front lines of the world’s most pressing issues, providing a unique and sometimes provocative perspective on global events.
GroundUp publishes news that matters – reporting human rights stories across South Africa. Started in April 2012 as a joint project of Community Media Trust and the University of Cape Town’s Centre for Social Science Research, in 2020 GroundUp became a standalone non-profit news agency.
The Real News Network (TRNN) makes media to connect audiences to the movements, people and perspectives that are advancing the cause of a more just, equal and livable planet. With a responsibility to serve the majority-minority population of Baltimore, TRNN aims to enhance audience understanding of the issues, contexts and voices behind news headlines.
Image credits (in order of appearance): Festivales Solidarios, Life Mosaic, Elroi Yee, Casey Pratt, Festivales Solidarios, Sama Haddad, Haitham Haddad, Insightshare, Federico Etiene Zuvire Cruz
